This is my editorial from the Spring 2012 issue of HardCopy magazine:
It has long been the case that we view intellectual property – software, the written word, music or film – differently to real, physical objects. This stems from a feeling that copying intellectual property without paying is somehow different because it doesn’t actually deprive the author or the distributor of anything: steal a TV, and the owner can no longer watch television; copy a song, and the owner has still got the original.
This attitude was compounded by the growth of the World Wide Web through the 1990s. Right from the start, one of the big benefits of the Web was that – once you’d paid your phone bill – everything else was free. However, once we’d got over the novelty of it all, many of us started wondering how we were going to make a living in this brave new world. Companies like Amazon and eBay didn’t have a problem as they were selling ‘real things’, but those of us in publishing, music and eventually even film had to face the fact that no-one seemed to be prepared to pay for what we produced.